Learn the solo to Django’s Tiger. It has a section in it where there are chromatic triplets being used as approach notes to the A major arpeggio. These chromatic triplets seem to be very very important and when you add the concept to what you learn in Stephane Wrembels book then you can become a powerful player.
Also, the Django’s Tiger solo has a good example of the Bm6 arpeggio that you can learn from.
Also, in the second half of the song, try using these chords for the rhythm part: A7->D6/9->D6/9->Ab6/9->A6/9->E7 and so forth.
Another note: Moreno uses this concept in his version of J’Attendrai at the 1:01 to 1:06 mark.