As a listener and reviewer, there are few things less interesting to me than picking up a new disc only to discover that it contains little more than a band doing its best imitation of The Quintette of the Hot Club of France. Django and Stephane’s seminal band hasn’t been around for over half a century, yet so many players are so seduced-or intimidated-by their music that they seem to forget that jazz is an art of evolution and innovation; instead, they become what is essentially a cover band. It’s a particularly troubling phenomenon with Django’s music, which is already so often overlooked by jazzmen.
Because of my admittedly strong opinion on the subject, it’s always a pleasure when a release like djangoloil’s Moka-Jack arrives on my desk. Tackling the later and/or lesser known repertoire of Reinhardt (Micro, Lentement Mademoiselle, and Vendredi 13), and some standards (Just One of Those Things; Relaxin’ at Camarillo, How Insensitive), djangoloil shows a readiness to bring a bit of it’s own bop-influenced playing to the material while belonging to the great tradtion of Jazz Manouche. That influence is perhaps most obvious on Micro and the one original included, Moka Jack, though by visiting their website you can hear it on samples of tracks from other albums as well. (Interestingly, Charlie Parker’s Relaxin’ at Camarillo is one of the more traditional sounding tracks.) How Insensitive, with Jacques Boireau’s lovely bowed bass, brushes up against smooth jazz, but never crosses the line, and ends up being one of the most relentlessly grooving tunes on the album. The inclusion of electric hollowbody guitar also goes a long way toward bringing the music to more modern ears-something Django realized in his later years, even if so many of his followers do not.
I wish I knew more about djangoloil and it’s leader Jean Michel Bourdier (aka BIB). The packaging of the review CD was remarkably homespun (and contained no liner notes) for all the great playing it contained, and the band website is only available in French. It seems the band has been around in one form or another since 2000, and has played or toured with French guitarists Romane and Christophe Lartilleux (of Latcho Drom) over the years. More to come on djangoloil-stay tuned!
You may obtain a copy of djangoloil’s “Moka-Jack” in the USA from Alain Cola’s GypsyJazz.net by clicking: Order Moka-Jack !


For those Djangology readers attending Django Camp at the Northampton, Mass Django in June festival, I have an invitation: come see my band Swing Caravan as we kick off the festivities on Wednesday June 13th at The Sierra Grille! The chef is putting on a full menu of French cuisine to complement our Gallic Jazz, and we hope to have some special guests as well. The food and wine-and the Belgian beer!-is top notch at the Sierra, and it’s a perfect opportunity to get out of the camp for a few hours without getting too far from the music. I hope to see some of you there; feel free to introduce yourself (that’s me above)!


UPDATE!!

I’ve had word from Andrew Lawrence, organizer of Django in June, that Emmanuel Kassimo has been forced to drop out due to a health issue. However, Andrew has secured the amazing talents of Biel Ballester to fill the slot! Ballester is quite a talent, and someone very aware of bringing the music to a modern crowd. For those with tickets to any of Emmanuel’s clinics, you’ll be able to use them for Biel Ballester workshops, and Andrew should be in touch with you. In the meantime, check out some of his playing below, and I’ll see you at the festival!
Biel’s bio from the Refined Records website:
Biel Ballester studied classical guitar at the prestigious Luthier School in Barcelona, Spain. There he spent two years under the instruction of teacher/concertist Alex Garrobé and four years with teacher/concertist Fernando Rodriguez. Complimenting his formal musical studies, Biel has also taken guitar master classes from respected musicians such as José Tomás, David Russell, Aniello Desiderio, Manuel Barrueco, Marco Socias, Hopckinson Smith and Jordi Savall (the last two specializing in Baroque music). Biel finished his curriculum at Barcelona’s superior conservatorium in the year 2000. Subsequent demand for his awe-inspiring style and technique have enabled him to perform in several countries such as Spain, France, Holland and Germany including multiple appearances at Barcelona’s International Jazz Festival, The International Jazz Festival of Terrassa, and the International Guitar Festival of Mallorca. Making waves on both sides of the Atlantic, two of Biel’s tracks featured here were selected for inclusion on the Various Artists compilations, Django Festival Volumes 3 & 4, produced by Hot Club Records in Oslo, Norway, placing the Catalan guitarist in the company of international jazz stars such as Jimmy Rosenberg and Angelo Debarre among others. A young talent holding great promise, Biel Ballester is on the short list of possible artists slated to perform at several upcoming international Django Reinhardt Tribute Festivals including those in the United States. So be on the lookout for the Biel Ballester Trio performing in a city near you.

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