Label Quest, a French record company has released an album of 12 Django Reinhardt compositions performed by a variety of French Gypsy guitarists.

unehist.jpgThe album opens with “Anouman”, a beautiful ballad from Django’s late period. It is performed by Matcho Winterstein, a French Gypsy with Herve Ganguenetti on Rythym guitar and Claudius Dupont on bass. After stating the head, Winterstein goes into doubletime on the solo and swings it hard, articulating every note with the precision of an ace flying team.

Next up is Noe Reinhardt (a distant relative of Django perhaps?) doing “Dinette”, Django’s catchy contrafact of “Dinah”. After a first rate solo by Noe, Bassist Claudius Dupont (who plays bass on all of this albums tracks) tells his story in strict time. Noe then solos some more over the rhythm guitars of Rudy Debard and Linekar Lemaire before playing the head out. Noe returns later in the album to play “Hungaria” at a blistering tempo. Bravo!

Django’s Grandson David Reinhardt and another Django descendant, Levis Adel-Reinhardt play “Blues for Ike” on archtop guitars with Samy Daussat on rhythm guitar. A modern jazz feel over a flat four rhythm. David and Levis also play a lesser known Django piece entitled “Vamp” (a beautiful ballad, again performed with a modern jazz sensibility).

Gadjo (non-Gypsy) Samy Daussat then does a Latin feel version of “Nuit De Saint-German-des-pris”. Samy plays both lead and rhythm on this track. Superb phrasing and tasty lines flow effortlessly from the fingers of this virtuoso. Samy’s other feature track is “Are You In The Mood”.

Swan Berger (a child prodigy) plays “Micro” a Django contrafact of Gershwin’s “I got Rhythm” at the usual high speed with Frank Berger and Samy Daussat on rhythm guitars. Lots of notes are played solidly in the Manouche guitar tradition. Wait till Swan Berger is older. His guitar fretboard will need to be treated with fire retardant!

Mundine and Rocky Garcia do “Troublant Bolero” Mundine spells out every chord change on this beautiful composition While Rocky keeps the Gypsy Bolero rhythm propelled in perfect time. Mundine and Rocky also perform “Artillerie Lourde”

Fred de Charco plays the album’s waltz “Chez Jacquet”.

The last track on this CD is “Tears” performed solidly by French Gypsy Bero Landauer. This album starts and ends with a ballad, a most unusual formula that works stunningly well here.

This album is well worth the price of admission. Every piece is a timeless Django classic played by some of the best French guitarists performing Gypsy jazz today. These performances are inspired and are a joy to listen to. The variety of having 9 different lead guitarists on an album of 12 tracks is wonderful. It is Django’s 100th birthday. Buy this album for yourself as a celebration.

 

Jazz Partout is a Gypsy jazz ensemble from Helsinki, Finland. The have a sound that is both traditional and yet very modern as well. They have an accordionist (Mika Huusari) that contributes to their traditional sound and an archtop guitarist (Petri Krzywacki) whose modern bop lines gives the band its modern tonality. Acoustic guitarist Kimmo Iltanen plays his Selmer-Macaferri guitar fully in the Django Reinhardt tradition and bass player Matti Tegelman holds down the bottom.

Jazzpartout.jpgThe bands new CD, “L’assortiment” is indeed as its name implies, an assortment of musical material. There are 5 Django tunes (“Micro”, “Hungaria”, “Fleur D’ennui”, “Folie a’ Amphion” and “Swing 39″), two waltzes (“La valse Des Niglos” and “Brise Napolitaine”), three classic standards (“La Mer”, “Undecided” and George Gershwin’s “Liza”), two tunes by modern Gypsy jazz guitarists (Patrick Saussois’ “Just One For Babik” and Robert Gaguenetti’s “Lisa-Marie”) and two Originals (“September Game” by bassist Tegelman and “August Nocturne” by guitarist Krzywacki (Don’t even ask me how to pronounce his name!).

In most of the tunes there are solos by both guitars and the accordion. The band swings hard and the contrast between the sonic qualities (and phrasing) of the two guitars presents a compelling contrast. Old and new meet on the timeless playing field of la pompe. This band proves that one can be both creative and at the same time, very listenable. Bravo Jazz Partout!

For more info go to: www.jazzpartout.com

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